Prologue: The Devil Inverted
Book 1: The Progress Trap
Interlude: The Knight of Cups
Book 2:  Part 1   Part 2   Part 3   Part 4
Part 5   Part 6   Part 7   Part 8
Part 9   Part 10   Part 11   Part 12
Part 13   Part 14   Part 15   Part 16
Part 17   Part 18   Part 19   Part 20
Part 21
   Part 22

Book Two: Magical Thinking
Part Fifteen

Sometimes your world slows to a crawl: Adrenalin hits you right in the sternum and everything's slower and brighter, that sharp silver clarity that makes things direct and simple. When that happens it can propel a car off your child's legs; it can set you spinning out from under a landslide; or it can freeze every moment of a crushing failure for its own miniaturized eon.
Gary folds his hands into fists, and I memorize every hair on his arms before he's finished crooking his fingers.
"Miss Doring just contacted me," he explains, every word crisp, dry, and quivering. "And she tells me...that she caught your friends...running their hands along her car." He cocks an eyebrow; his pupils are the size of pennies. "Do you...know anything about this?"
I flap my lips until my trachea kicks in. "I don't—they were headed south to check a crime scene—"
"Crime scene." Gary's nostrils flare. "Crime scene. Where would that crime scene be, exactly?"
"The..." My stomach's all one big cramp. "The trailer park down near Albion."
"Down near Albion." It's much more violent when he says it. "Down near Albion like, near my house?" I see his teeth. "Conveniently near?"
I'm the little kid caught talking in class, curled up fetal at the thought of eye contact. "'Conveniently' isn't the adjective I'd use—"
Anger pours off Milk, thick enough to clot my mind; my shoulders go iron, eyes closed at the thought of impact.
"It's exactly what you think, Gary," Milk rumbles, and lets go of the back of my chair. Swear words pile up in my skull; he got my guard down.
Gary stares at me, fingers drumming the table. "Well, Mr. Chatham, at least I can rest easy knowing you won't be joining some massive conspiracy against the agreement. You're far too unimaginative to get it off the ground." He smirks at that, the look of a gator within sprinting range. "My turn for questions." His grin spreads, fills his face with sharp angles; rage shines molten in his eyes. "What exactly were you hoping to do?"
"I—"
I lurch forward as Milk kicks the legs of my chair; all my energy goes to not letting him in my mind. I look across at Gary, and summon up what courage I have with a long-haired bag of hate glaring daggers into my neck. Time for brilliant and evasive honesty.
"You know why you'd be a suspect, Gary; you said so yourself. And I would have loved to work together. But I had to be sure, first, and you're too well-armored to scan and probably too dignified, or too guilty of something unrelated, to submit to one. Or both." My patter glitches as I correct myself; shake your head, get in the game. "So I figured I'd take you out to lunch, get to know you, see if I could rattle your cage and figure out if you were involved; and while I was here, yes, I thought I would have some friends—"
I stop as Gary looks up past my shoulder. The waitress has come into the room, but clearly already thought better of asking us how we're doing; her face is grim and her thoughts are worse.
"Some friends," I continue as she leaves, "go back and check your place out. Scan it for anything untoward. If nothing else, I figured we'd find out what was making you play it so close to the chest and I could move forward in an alliance with you, clean of any suspicious thoughts. Beyond what I have for anyone who willingly hangs out with demons, self included." I sit back, try to breathe. "Sir."
Anvils drop on both my shoulders; washes of stress pour down along my back. Gary leans back slowly, eyes wide but no longer so volatile, and exchanges a look with Milk. My teeth lock at the moth-scale brush of psychic chatter. I can't make anything of the motions of his face, can't hear even a snippet of what they're thinking—and then he's back looking at me, expression flat and rigidly calm.
"Mr. Chatham...I understand." There's a second where he might smile. "I do not approve. At all. But I understand. And I appreciate your honesty." His emphasis is too assured; needles blossom in my arteries. "I am going to pay for lunch, so that you understand that I am neither incensed nor cruel. I am going to pay for lunch, but I am going to leave; and I am going to never see you again unless it happens accidentally about town, or unless you have some express purpose for seeing me and an appointment." He punctuates it with a finger stabbed right at my face. "Are we absolutely—fucking—clear?"
My thoughts dry up. I will never call Barg harsh again.
"Clear," I say. "Absolutely."
Gary wipes his mouth with his napkin, tosses it onto the table. "Good. Milk will explain the situation to the waitress. Tastefully altered."
"Gary's sick," the demon says.
"I'm sick," Gary replies. "You should enjoy your meal; it's really quite good. I trust I will not speak to you again."
"Not without express purpose." I keep my attention on the napkin. "And an appointment."
Gary wheels out from the table, stops next to me. He leans in close with his hands on his wheelchair, that thick grey beard just a mass of bristles at this range.
"You're not very funny," he breathes, and Milk wheels him out.
And just like that, my little noir detective dream is shattered, a battered fedora forgotten on the floor. It barely registers when the waitress comes by with my food. I can actually feel myself failing, the cascade of mistakes an infinite loop in my head; the successes of other patrons are actually reduced by my failure. I lean over, take a sip of the beer I didn't pay for, and balk when I hear my cell phone ring.
"Paul," I say into the mouthpiece.
"Randall," replies Arabella. "We're almost to the Brewery, you there?"
"There and eating alone," I reply. "Should I annoy the waitress by adding three new guests?"
"Meet you inside."
"So yes. Bye."
The waitress arrives with my food five minutes later, looking at me like she can't decide whether to hug me or scream. I wonder what Gary told her a half second before I catch it off her: not much.
"Three other people might be joining me," I say. "Sort of"—giggle—"sort of replacement friends, you know?"
That's a little dilution in her sympathy. "Three more?" she asks, holding up fingers.
I nod. "Two of them are just gonna be drinking, though." I try to look thankful, but it just tells me how brittle my calm is. "That okay?"
All she's thinking about is her tip. The happiness in her voice is thin ice. "Sure."
And she leaves. I drink my beer, poke at my now-uninteresting food, and debate exactly how explosive I should be when my friends get in the door. I'm still debating when they come in: Kelly first, then Arabella, then Paul leading up the rear. They sit down at the table like they're gearing up for a funeral; all I can do is glare from under my embarrassment. Paul, of course, is the first to talk.
"So that's two strikes, then?"
"Two strikes, too many balls," I pun. I swallow and my tonsils clench. "What the"—here comes the heat I was banking—"fuck did you guys do?"
Arabella leans forward. "Doring. Anna Doring, Gary's executor?"
"You think that's what she does," Paul murmurs.
She waves him off with a snap of her wrist. "We ran into her as we were heading south; she was pulling off the road out of Willits into that shopping center on the south end of town."
"Boatyard," Paul corrects.
Arabella bats her lashes at him. "Glutton. Anyway, so she shows up—"
We're interrupted by the waitress returning, her smile accompanied by wide, weary eyes; she feels like a sausage screaming in a microwave. Arabella wants a burger and Paul wants a whiskey; Kelly contents herself with water. The waitress leaves; the knot in my spine doesn't.
"So she shows up," Arabella continues, "and we follow her, go into the lot the other way. She parks, goes into the grocery store, and we see our chance"—her voice is high and colorful, so bubbly you almost can't hear she's rattled—"so we park with the motor running"—spy films scud through her head—"and Paul and I run out and do a little instant wiretapping." She wiggles her fingers like I'm supposed to be impressed.
I'm a rock. "And then she came out of the store quicker than you expected and saw you feeling up her car."
"It was dressed like it wanted it."
"McCartney," Kelly hisses. All she gets is a shrug.
In my mind's eye I'm strangling them and their stupid wolf-pack banter, but I don't let it register on my face. "What did you learn?" I ask, almost yawning.
"Plenty," Arabella blurts. Now she's getting defensive. "Doring and Milk have been riding around in her car a lot lately, business runs from what I can tell. Very tense stuff. They've been unloading something heavy that they're at odds about, but I can't tell what."
"Too much background emotion?"
"Too shielded," Arabella says. "Whatever they were moving was wrapped up in altar cloths and about half a dozen Tarot cards. I've got a picture of the Emperor burned into my forebrain."
Out of the mouths of babes. "But they were at odds? Any idea how?"
"No idea, it was all just"—I see a familiar gesticulation as she tries to explain—"just needles and, and fire, but Randy, that's not the point: Doring just came back from Willits." She leans in even closer. "And whatever she was doing, she was thinking about Arthur."
A single pebble drops into my stomach, and the whole world turns a pretty shade of golden. I seem to be smiling.
"Arabella," I pronounce, "you appear to have found a lead." I scoop up a mouthful of Stroganoff and shovel it into my mouth. Smiles may boost your mood, but they can't compare with cream.
"I'd feel better about it if I hadn't blown our cover," she says; there's genuine upset in her words.
"Gary doesn't know a damn thing," I lie. "If he figures us for a bigger conspiracy than we are, that's good in my book." I can actually feel the sin massaging into my psyche. "Just means we have to wait to bug him again 'til we can slap him in the face with evidence."
Paul leers with anticipation. "So what's the next move, son?"
The waitress walks up with three glasses and a rare-as-hell specimen of burger. I order another drink.
"Next move is to eat our lunch." I impale a piece of meat on my fork. "And then, we're heading out to Willits to see what we can see."
"Been out there," Kelly says. "Already scanned."
"Not with three little helpers you haven't," I reply. "A peacekeeper's missing, someone's recording demon attacks, and we've been getting shot at; plus we just offended a guy who knows nearly every psychic in the county very well. So we go out to Willits, and we either waste our time or find a lead." I take a cool, deep, painfully short chug of my beer. "And then we go check in to the Beachcomber Inn."
"Right," Arabella says, her internal compass spinning. "What was the plan there, again?" She hates admitting she's not in the know.
Which is why she stays there. "Procuring more evidence." I had to find some way to punish her.


Highway 20's different on a sunny day, the sun highlighting both the beauty of the redwood forests and the long bone-gnarling dive a careless driver will take when they fall. Kelly takes the curves at a speed just a hair beyond uncomfortable, slowing only when we're caught behind a lumber truck for five miles. I try to concentrate despite the bubbles in my head, keep my mind open and scanning. That we don't seem to get scanned in return does very little for my sense of well-being.
I'm focused as we slosh around the mountain curves, our vision scattered over trees, mudslide, rocks. I'm still working when we get into the thick of the redwoods, scanning every truck we go past, every corner and curve where Arthur might conceivably have stopped or run off the road. When the road straightens out just before Willits proper, enough for a rotted barn and several rusty hulks of machinery to dot a perfect golf-course landscape, I'm done. We've found nothing.
"There is the Jack in the Box," says Kelly, pointing at a white sign we've all already seen. "That is the last place I can guarantee he was."
I squint at the alleged restaurant, let my mind go loose. I feel depression, hunger, the ponderous smell of fat; someone inside is fucking another woman's husband, and someone else is regretting their purchase as two deep-fried tacos assault their gut. Nothing else.
"Standard fast food place," I mutter. "You didn't find anything else in Willits?"
"Nothing. And did not have time to drive to Ukiah." She shakes her head. "Was recent activity when I found it, he disappeared between here and Fort Bragg."
I look at the Jack in the Box, and my teeth grind. "Then we drive back," I insist. "And we scan again."
"Are we there yet?" chirps Paul from the back.
Arabella scoffs. "Hungry already?"
"Bored." Paul scowls at the landscape as we turn back toward Fort Bragg. "Nothing on this road but meth addicts and rocks; whatever Arthur left here is long gone."
"Probably," Arabella allows, pleased as a starving rat. "But it can't hurt to look."
Paul snickers. "You mean it can't hurt to do what Dr. Barg tells us to do."
Pins rise in Arabella's gullet; I raise a hand, send whatever jolt I can out over the link-up. The backseat falls into chained silence, Arabella ragged and Paul hungry to go the extra mile.
"Paul, this is serious, man. We've been chickens with our heads cut off for the past two days, done nothing except bolt straight up blind alleys." I can actually hear myself marching in lockstep with Barg; my ego is wondering who I am. "We need to give it due diligence, and that includes checking out the spot where he—"
My world gets painted over in yellow and spite.
"—disappeared."
Kelly stops the car, rolls it into a turnout. The landscape's boring in both directions, trees on our left and bare hillside leading up into more trees on our right. There are no cars on the highway with us, no altercations at the gas station or the Jack in the Box.
"You catch that?" I ask. My eyes jog back and forth in their sockets. "Somebody catch that?"
Arabella nods. "Loud and clear."
My mouth's full of sandpaper when I swallow. "Out that way, right?"
Another nod, with Paul playing backup. Kelly stares up the hillside next to us, back around to the Willits skyline.
"Fresh," she confirms. "Not an echo."
"Feel like Arthur?" I ask, scrabbling for a handhold.
Paul snorts. "Did breakfast this morning taste like the one you had on Sunday?" He peers out over the sparse forest on the other side of the road. "Arthur or not, Kelly's right; it was fresh, and it was localized."
"Okay..." I let my mind go loose, snap it back in after less than a second. "Okay." I'm still staring out the window. "Keep driving."
Kelly pulls out of the turnout, rolls out along the asphalt bruise into the mountains. We're alone out here; the only blips on the astral plane are some faint exhaustion and a picture of Smokey the Bear. But for a second there, cold and undiluted, I felt someone's fear.
Navigation
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Previous Chapter   Next Chapter
Prologue: The Devil Inverted
Book 1: The Progress Trap
Interlude: The Knight of Cups
Book 2:  Part 1   Part 2   Part 3   Part 4
Part 5   Part 6   Part 7   Part 8
Part 9   Part 10   Part 11   Part 12
Part 13   Part 14   Part 15   Part 16
Part 17   Part 18   Part 19   Part 20
Part 21
   Part 22